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Belgian Beer Primer and Pub and Cafe Crawling in Brussels

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By Christopher Kenneally
Posted August 6th, 2007
Christopher Kenneally is the author of Massachusetts 101: The 101 Events That Made Massachusetts, (2005, Commonwealth Editions)
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Belgian Beers, Brussels, lambicsBRUSSELS, BELGIUM -- In tiny Belgium, a country the size of Maryland with about ten million inhabitants, a beer enthusiast might sample a different Belgian brew every day of the year and still leave several dozen untasted.

Love of beer and respect for native brewing traditions are among the few things besides king and currency remaining common to Belgium's rival communities, the francophone Walloons and Dutch-speaking Flemish.

On the equivalent of a "pub crawl" through officially bilingual and bicultural Brussels, visitors can easily manage to visit any number of attractive cafés; taste trappist ales, cherry-flavored krieks and other unusual beers; yet never repeat an order.

At Chez Marcel, for example, a sidewalk café serving light lunches on the Place du Jeu de Balle, an appropriate beer would be a Cantillon gueuze. Frothy and tart, with a hint of apples, gueuze is a thirst-quenching specialty native to Brussels and was once the drink of choice of working people living in the surrounding area known as Les Marolles.

In Le Perroquet, ten-minute's walk away on the edge of the Sablon district, Blanche de Hoegaarden would seem best for sipping in the bright and airy atmosphere of this Art Nouveau-period café. A wheat beer already redolent of citrus, Hoegaarden on draft typically appears with a lemon slice floating on its head and is a refreshing complement to Le Perroquet's menu of spicy pita sandwiches.

Across the city, in fact, history, architecture and other characteristically Bruxellois elements often strongly suggest which beer to enjoy where.

Marionette Cellar
First-time Brussels visitors will almost certainly head straight for the city's Baroque centerpiece, the gilded and crenellated Grand Place. Nearly a half dozen cafés look onto the always busy cobblestone square. In summer months, tables are packed tightly together on raised outdoor platforms to accommodate the sun and the high season crowds. Beer lists are as formidable here as anywhere in Brussels, but close by are more intriguing choices.

Belgian Beers, Brussels, lambicsAt 5 Rue du Chêne, the two-year-old Poechenellekelder (pronounced, "poosh-en-elle-kel-der," and Flemish for the Punchinello or marionette cellar) lies opposite the Manneken-Pis fountain, which may be the second most-visited location in Brussels after the Grand Place.

The attractive estaminet--a common Brussels name for any small, simple café serving beer and traditional snack food--hardly looks its young age with a pleasing arrangement of antique decorations and elaborately carved and polychromed wood bar.

A featured draft beer at Poechenellekelder is Faro Vanderlinden , a sweet-and-spicy lambic with a hint of ginger and brewed at Halle in the Brussels countryside.

Lambic brews like faro and gueuze are today rarely served au fût (on draft) in Brussels; for dedication to this sadly, dying tradition, Poechenellekelder was awarded "Order of Faro" by a local group of lambic boosters.

As a typically Belgian accompaniment to faro or gueuze, the café's list of nos tartines offers plain fromage blanc or onion-flavored pottekees --tiny pots of soft, sour cheese for spreading on thin slices of wheat bread. Pâte de campagne and salami are also available.

On a recent midweek afternoon visit to Poechenellekelder, be-bop jazz music played in the dimly-lighted estaminet with a few patrons talking over their glasses. Outside, tourists from many nations milled around the te -Pis fountain and posed for souvenir snapshots. They may not have noticed Poechenellekelder because the café is new enough not to be listed in popular guide books.

Beer and  Faust
Belgian Beers, Brussels, lambicsWhen Poechenellekelder first opened, the estaminet featured in its cellar a marionette theatre, which has since closed. That quaint form of entertainment thrives, however, at Toone, 21 Petite Rue des Bouchers, another typical Brussels estaminet well-hidden down a narrow alley (Impasse Schuddeveld) off the city's main thoroughfare for tourist restaurants.

Like Poechenellekelder and the purloined letter in Poe's tale, Toone (pronounced "tone") escapes notice by virtue of lying in a thoroughly obvious place. For the most part, the windowless, wood-paneled and generally quiet café seems to have let the 20th-century pass by with indifference.

Toone is in the guidebooks, however, which likely accounts for the menu's English translation and the somewhat elevated prices. Toone's claim to fame lies above the café in a simple marionette theatre where director José Géal, recognizable in his checked casquette, leads his troupe in such elaborate productions as Faust; The Passion; and Christopher Columbus and the Peruvian Tragedy.

In the past, Toone performances would have been given entirely in a Brussels patois of French, Flemish and local slang. The recent premiere run of Michel de Ghelderode's re-telling of Christ's passion was spoken almost entirely in French. Only two brief scenes were delivered in Flemish.




 

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